I’ve already been to New York for a travel award when I was 17, ama az önce Manhattan'ı ve çok az şeyi gördüm.
The first time I saw the real New York City, away from 5th Avenue shopping, Broadway theaters and the congested streets frequented by tourists, was the next year and I was fascinated and enchanted by this City.
Carlo Medori ile bu gezide tanışmasaydım tüm bunlar mümkün olmayacaktı., Bana şehrin gerçek özünü gösterdiği için tüm şükranlarımı borçlu olduğum kişiye. Duvar resimlerine ve az seyahat edilen sokaklara ve hayat dolu mahallelere olan düşkünlüğünü bana bulaştırmıştı.. Arkadaşlığımız zamanla güçlendi ve New York'a geldiğimde onu görme fırsatını kaybetmiyorum ve Şehirde neler olup bittiği konusunda beni bilgilendirmesine izin veriyorum., çoğunlukla sanatta, kültür ve siyasi alanlar.
Since then I started to return to New York at least once a year, to photograph the murales, to look at this City in constant evolution.
Just move a little bit from Manhattan to find yourself in very different neighborhoods, where you can breathe smells, tastes coming from around the world, as if there were many small microcosms of different cultures living in one big community.
Equipped with a camera, sneakers and a pinch of adventurous spirit, I have walked miles and miles every day, looking at neighborhoods, streets, people, faces and painted walls that were in some ways emblematic, able to give me vibrations, both in positive or negative way.
Years of traveling have given me much satisfaction, even on a personal level; 11 years ago I exposed about 40 photos in my solo exhibition in Milan, İtalya, where I met my husband!
He is following me in my travels and he is a particularly valuable aid in the construction of the site in its entirety; I must thank him for the effort he puts in it night after night, after a long day at work.
What came out and is visible on this site is my personal journey through the maze of this multi-faceted city, told through the murales, which are true art.
The motto “Grafiti bir sanattır, not a crime!” is through and through appropriate.
Murales “tell a story”, have a life, sometimes short, sometimes long, they are important from the cultural, social and political standpoints.
Murales tell about the hopes, fears, tensions, wars in act and finished, drug problem, leave a memory of missing persons, more or less famous. They are a way of understanding reality, to understand the feelings and the disruptions that are in place; keep a track of all this I think is enormously important.
Over the years the lives of the murales is dramatically changed, too. While until a few years ago you could ran into murales in every neighborhood, right now everything is almost entirely concentrated at 5 Nokta, as if there was a need to “close” this art, to confine it to a few walls. It is a shame because these walls reflect the soul, the sufferings and hopes of an entire country.
Remember that murales have existed since prehistoric times, when the men drew on cave walls, to warn of dangers or to tell stories of everyday life. The need to leave tangible marks has always existed, it is innate in human beings. Even during the dictatorship of Augusto Pinochet in Chile, people left signs on the walls, used as hidden messages to protect themselves from the repression and mass murders (September 11, 1973 to March 11, 1990).
And now, get going with me in my through 20-years journey that will continue, because the memory would never be lost.
I love you, New York City!